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Elders and Forebears Gallery

“Honeymoon Protest” – Martin Stewart

Black and white linocut print. In the foreground is a man wearing a striped polo-shirt. He has a big toothy smile. Behind him a small crowd of people, including two wearing police hats and people with cameras. They are looking down at two people lying together on a mattress in an intimate embrace, wrapped in a blanket.

By Andrew Bretherton

This image is inspired by the Honeymoon protest (1988) of Martin Stewart and his then wife Helen. Martin is a disability activist and disabled workers rights advocate. 

Martin was born blind and was made further disabled by the government’s structural inequality. Martin at the time had won a supreme court case against the loss of train guards and conductors because of the safety implications for disabled people. In 2002 when train guards were still absent, Martin lost his arm and leg when he feel between train carriages.

The honeymoon protest advocated for Sexual Equality for Disabled People Worldwide. Martin at the time stated: 

“This is no mere exhibition … The only reason we are doing this is because we want to put an end to the ignorance of society … Nobody should be judged based on disability. There seems to be a widespread assumption that Helen, who does not have a disability, is either my social worker, volunteer, driver or nursemaid… People don’t seem to understand that you also have sexuality. The reason why deinstitutionalisation has occurred is that people have seen that we can do things like other people.” 

Helen argued “We feel the time is long overdue for a provocative protest to confront society’s ignorance.” 

I found this protest particularly significant as this year disabled peoples sexual freedoms and liberation have come under attack, fuelled by the very same ignorances Martin and Helen were protesting against. 

Martin’s activism and story also reminds us how we are not disabled by our impairments or differences, but rather by societies ignorance, and how the removal of accessibility can cause us further harm. It reminds us that we must stay vigilant with liberation of disabled people and disabled rights, as our hard fought progress can be easily rescinded by the ignorance of abled bodied people.

In this picture, a portrait of Martin smiling is on the left, and on the right is a couple embracing in a kiss on an air mattress on Bondi Beach. They are covered by a blanket that reads “just married” printed on it. They are watched on by police officers, onlookers and media with cameras. The black and white colours of the artwork represents the black and white thinking of societies view of disabled people and of their sexuality.
A black and white linocut print featuring an older woman with long hair and glasses holding up a sign that says "Spastic Society opposses women. The letter "s" is made to look like the lightning bolts in the SS Nazi symbol.

Lesley Hall (1954 – 2013)

Lesley was a feminist disablity advocate and leader in the Disability and Workers Right’s movements since the 1970s. She trained and worked as a teacher, and worked in numerous community and arts organisations.
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Photograph of a linocut print. In the foreground, in black, is an older Aboriginal woman with short hair, squinting a little as she gazes off into the distance. Only her head in depicted, and it overlaps with a ticket with the words "First Peoples Disability Network" written on it. In the background is red and yellow lines and dots in the style of traditional First Nations artwork.

Aunty Gayle Rankine (1956 – 2019)

Aunty Gayle was a Ngarrindjeri woman born in Raukkan (Point McLeay Mission) on Lake Alexandrina in South Australia. She was a leading voice for Aboriginal people with disability and in 2014 was the founding Chairperson of the First Peoples Disability Network (FPDN).
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